The chapter ‘The Address’ is written by Marga Minco. " War" is a terrible thing. It means “destruction and chaos.” It spares none. It kills the feelings of love and sympathy of human beings. It brings a lot of ruin and causes loss of property as well as life. After war, the victims face many problems. They have to suffer a lot both physically and mentally. The second world war broke out in 1939 and ended in 1945. During this war, the germans invaded Holland where 90% of the people were Jews. Many of the Jews fled in fear to other places while thousands thousands were imprisoned in concentration camps and tortured badly. ‘The Address’ story captures the emotions of a young girl (the author herself) who returns at the end of the war. She finds the loss of not only her mother named Mrs S but also the loss of her household things. There was war and her mother had kept her all belongings to an acquaintance of her named Mrs ‘Dorling’ in this hope, that after the cease of war, she would return and get her all-valuables things. She left her place and settled in other country. But after some years, the woman Mrs. ‘S' dies. Now the war has ended. The girl (Mrs 'S' daughter) sees that there is peace everywhere. People have no fear. She remembers the address of the woman where her mother had kept her belongings. She goes to take her belongings on this address named "Mrs. Dorling, House No 46, Marcony Street"
Do you still know me?" I asked. The woman looked at me searchingly I came closer and stood on the step. "No, I don't know you.” “I am Mrs S's daughter.” She kept staring at me in silence. Perhaps I was mistaken. I thought, perhaps it is not her. I had seen her only once, and that was years ago. She was wearing my mother’s green knitted cardigan. She saw that I was looking at the cardigan and half hid herself again behind the door. But I knew now I was right. "Well, you knew my mother?" I asked. Have you come back?" said the woman. I thought that no one had come back.’ “Only me." I regret I cannot do anything for you. I've come here specially on the train. I wanted to talk to you for a moment. It is not convenient for me now, said the woman. She nodded and cautiously closed the door. I stood where I was on the step. I looked at the name-plate again. Dorling it said in black letters on white enamel Number 46. As I walked slowly back to the station I thought about my mother, who had given me the address years ago. She told me about Mrs Dorling. I had never heard of her but apparently she was an old acquaintance of my mother, whom she hadn't seen for years. She had suddenly turned up and renewed their contact. Since then she had come regularly. "Every time she leaves here she takes something home with her," said my mother. She suggested it to me herself. She wanted to save all my nice things. If we have to leave here we shall lose everything, she says. "Have you agreed with her that she should keep everything? I asked. My mother cried. It would simply be an insult to talk like that. And think about the risk she's running, each time she goes out of our door with a full suitcase or bag. After that we spoke no more about it. Meanwhile I had arrived at the station without having paid much attention to things on the way. In the train back I saw Mrs Dorling in front of me again as I had the first time I met her. I had got up late and, coming downstairs, I saw my mother about to see someone out. A woman with a broad back. ‘There is my daughter,’ said my mother. She beckoned to me. The woman nodded and picked up the suitcase under the cost-rack. Does she live far away?" I asked, seeing the difficulty she had going out of the house with the heavy case. In Marconi Street," said my mother. Number 46. Remember that. I had remembered it. But I had waited a long time o there. After the Liberation, I was absolutely not interested in all that stored stuff. But gradually everything became more normal again Bread was getting to be a lighter colour, there was a bed you could sleep in unthreatened. And one day I noticed I was curious about all the possessions that must still be at the address. I wanted to see them, touch, remember. After my visit in vain to Mrs. Dorling’s house I decided to try a second time. Now a girl of about fifteen opened the door to me. I asked her if her mother was at home. ‘No’ she said, ‘my mother’s doing an errand.’ ‘No matter,’ I said,’ ‘I will wait for her.’ ‘Wont you sit down?’ asked the girl. She held open the door of the living-room and I went inside past her. I stopped, horrified. I was in a room I knew and did not know. I found myself in the midst of things I did want to see again but which oppressed me in the strange atmosphere. Or because of the tasteless way everything was arranged. The girl moved a chair. I sat down and stared at the woollen table-cloth. I rubbed it. My fingers grew warm from rubbing. I followed the lines of the pattern. "My mother'll be back soon, said the girl. I've already made tea for her. Will you have a cup? Thank you. I looked up. She poured tea from a white pot. All it had was a gold border on the lid, I remembered. She opened a box and took some spoons out. That's a nice box. I heard my own voice "Oh, you know about them? She had turned round and brought me my tea. She laughed. My mother says it is antique. We've got lots more. ‘See for yourself.’ I had no need to follow her hand. I knew which things she meant. I jumped up. I was forgetting the time. I must catch my train. Don't you want to wait for my mother?" "No, I must go” I walked to the door. At the comer of the road I looked up at the name-plate. Marconi Street, it said. I had been at Number 46. The address was correct. But now I didn't want to remember it any more. I wouldn't go back there because the objects that are linked in your memory with the familiar life of former times instantly lose their value when, severed from them, you see them again in strange surroundings. I resolved to forget the address. Of all the things I had to forget, that would be the easiest.
See Video for Explanation and Summary of the Chapter
This short story is a poignant(deeply moving) account of a daughter
who goes in search of her mother’s
belongings things after the War, in Holland. When she finds them, the objects evoke (create) memories
recallings of her earlier life. However, she decides to leave them all behind and resolves (determines) to
move on.
Do you still know me?’ I asked. The woman looked at me searchingly. She had opened the door a chink. I
came closer and stood on the step. ‘No, I don’t know you.’ ‘I’m Mrs S’s daughter.’ She held her hand on
the door as though she wanted to prevent (stop) it opening any
further. Her face gave absolutely
(completely) no sign of recognition. She kept staring (gazing)
at me in silence. Perhaps I was mistaken, I
thought, perhaps it isn’t her. I had seen her only once, fleetingly,
(lightly) and that was years ago. It
was most probable (possible) that I had rung the wrong bell. The woman
let go of the door and stepped to
the side. She was wearing my mother’s green knitted cardigan. The wooden buttons were rather pale (yellow)
from washing. She saw that I was looking at the cardigan and half hid herself again behind the door. But
I knew now that I was right. ‘Well, you knew my mother?’ I asked. ‘Have you come back?’ said the woman.
‘I thought that no one had come back.’ ‘Only me.’ A door opened and closed in the passage behind her. A
musty smell emerged. ‘I regret I cannot do anything for you.’ ‘I’ve come here specially on the train. I
wanted to talk to you for a moment.’ ‘It is not convenient
(comfortable) for me now,’ said the woman. ‘I
can’t see you. Another time.’ She nodded (shook head) and cautiously (carefully) closed the door as though
no one inside the house should be disturbed. I stood where I was on the step. The curtain in front of
the bay window moved. Someone stared at me and would then have asked what I wanted. ‘Oh, nothing,’ the
woman would have said. ‘It was nothing.’ I looked at the name-plate again. Dorling it said, in black
letters on white enamel. And on the jamb, a bit higher, the number. Number 46. As I walked slowly back
to the station I thought about my mother, who had given me the address years ago. It had been in the
first half of the War. I was home for a few days and it struck me immediately that something or other
about the rooms had changed. I missed various things. My mother was surprised I should have noticed so
quickly. Then she told me about Mrs Dorling. I had never heard of her but apparently (clearly) she was an
old acquaintance (known) of my mother, whom she hadn’t seen for years.
She had suddenly turned up and
renewed their contact. Since then she had come regularly. (in routine)
‘Every time she leaves here she
takes something home with her,’ said my mother. ‘She took all the table silver in one go. And then the
antique (ancient) plates that hung there. She had trouble lugging (dragging) those large vases,
(flower pot)
and I’m worried she got a crick in her back from the crockery.
(cup-plate)’ My mother shook her head
pityingly. ‘I would never have dared ask her. She suggested it to me herself. She even insisted. (forced)
She wanted to save all my nice things. If we have to leave here we shall lose everything, she says.’
‘Have you agreed with her that she should keep everything?’ I asked. ‘As if that’s necessary,’ my mother
cried. ‘It would simply be an insult to talk like that. And think about the risk she’s running, each
time she goes out of our door with a full suitcase or bag.’ My mother seemed to notice that I was not
entirely (completely) convinced. (fully
sure) She looked at me reprovingly rebukingly and after that
we
spoke no more about it. Meanwhile in between I had arrived at the
station without having paid much
attention to things on the way. I was walking in familiar known places
again for the first time since
the War, but I did not want to go further than was necessary. I didn’t want to upset sad myself with the
sight of streets and houses full of memories from a precious costly
time. In the train back I saw Mrs
Dorling in front of me again as I had the first time I met her. It was the morning after the day my
mother had told me about her. I had got up late and, coming downstairs, I saw my mother about to see
someone out. A woman with a broad back. ‘There is my daughter,’ said my mother. She beckoned to me. The
woman nodded and picked up the suitcase under the coat-rack. She wore a brown coat and a shapeless hat.
‘Does she live far away?’ I asked, seeing the difficulty she had going out of the house with the heavy
case. ‘In Marconi Street,’ said my mother. ‘Number 46. Remember that.’ I had remembered it. But I had
waited a long time to go there. Initially after the Liberation I was absolutely not interested in all
that stored stuff, and naturally I was also rather afraid of it. Afraid of being confronted with things
that had belonged to a connection that no longer existed; which were hidden away in cupboards and boxes
and waiting in vain until they were put back in their place again; which had endured all those years
because they were ‘things.’ But gradually everything became more normal again. Bread was getting to be a
lighter colour, there was a bed you could sleep in unthreatened, a room with a view you were more used
to glancing at each day. And one day I noticed I was curious about all the possessions that must still
be at that address. I wanted to see them, touch, remember. After my first visit in vain to Mrs Dorling’s
house I decided to try a second time. Now a girl of about fifteen opened the door to me. I asked her if
her mother was at home. ‘No’ she said, ‘my mother’s doing an errand.’ ‘No matter,’ I said, ‘I’ll wait
for her.’
I followed the girl along the passage. An old-fashioned iron Hanukkah1 candle-holder hung next to a
mirror. We never used it because it was much more cumbersome than a single candlestick. ‘Won’t you sit
down?’ asked the girl. She held open the door of the living-room and I went inside past her. I stopped,
horrified. I was in a room I knew and did not know. I found myself in the midst of things I did want to
see again but which oppressed me in the strange atmosphere. Or because of the tasteless way everything
was arranged, because of the ugly furniture or the muggy smell that hung there, I don’t know; but I
scarcely dared to look around me. The girl moved a chair. I sat down and stared at the woollen
table-cloth. I rubbed it. My fingers grew warm from rubbing. I followed the lines of the pattern.
Somewhere on the edge there should be a burn mark that had never been repaired. ‘My mother’ll be back
soon,’ said the girl. ‘I’ve already made tea for her. Will you have a cup?’ ‘Thank you.’ I looked up.
The girl put cups ready on the tea-table. She had a broad back. Just like her mother. She poured tea
from a white pot. All it had was a gold border on the lid, I remembered. She opened a box and took some
spoons out. ‘That’s a nice box.’ I heard my own voice. It was a strange voice. As though each sound was
different in this room. ‘Oh, you know about them?’ She had turned round and brought me my tea. She
laughed. ‘My mother says it is antique. We’ve got lots more.’ She pointed round the room. ‘See for
yourself.’ I had no need to follow her hand. I knew which things she meant. I just looked at the still
life over the tea-table. As a child I had always fancied the apple on the pewter plate. ‘We use it for
everything,’ she said. ‘Once we even ate off the plates hanging there on the wall. I wanted to so much.
But it wasn’t anything special.’ I had found the burn mark on the table-cloth. The girl looked
questioningly at me. ‘Yes,’ I said, ‘you get so used to touching all these lovely things in the house,
you hardly look at them any more. You only notice when something is missing, because it has to be
repaired or because you have lent it, for example.’ Again I heard the unnatural sound of my voice and I
went on: ‘I remember my mother once asked me if I would help her polish the silver. It was a very long
time ago and I was probably bored that day or perhaps I had to stay at home because I was ill, as she
had never asked me before. I asked her which silver she meant and she replied, surprised, that it was
the spoons, forks and knives, of course. And that was the strange thing, I didn’t know the cutlery we
ate off every day was silver.’ The girl laughed again. ‘I bet you don’t know it is either.’ I looked
intently at her. ‘What we eat with?’ she asked. ‘Well, do you know?’ She hesitated. She walked to the
sideboard and wanted to open a drawer. ‘I’ll look. It’s in here.’ I jumped up. ‘I was forgetting the
time. I must catch my train.’ She had her hand on the drawer. ‘Don’t you want to wait for my mother?’
‘No, I must go.’ I walked to the door. The girl pulled the drawer open. ‘I can find my own way.’ As I
walked down the passage I heard the jingling of spoons and forks. At the corner of the road I looked up
at the name-plate. Marconi Street, it said. I had been at Number 46. The address was correct. But now I
didn’t want to remember it any more. I wouldn’t go back there because the objects that are linked in
your memory with the familiar life of former times instantly lose their value when, severed from them,
you see them again in strange surroundings. And what should I have done with them in a small rented room
where the shreds of black-out paper still hung along the windows and no more than a handful of cutlery
fitted in the narrow table drawer? I resolved to forget the address. Of all the things I had to forget,
that would be the easiest.